The tyranny of the immediate academic requirement means I rarely read anything unconnected with boats. But every now and again I do, and two friends have supplied a couple of books I would definitely recommend. They are very different, but both have hit the big time in the bookshops. The first came from Peter. By Charlie Mackesey, it's whimsical little book that goes into the unlikely encounters of a boy, a mole, a fox and a horse - completely charming. Going through it, first time takes just a few minutes. The second time is more lingering as you read more into it, or as more comes out. Quite a lot about human emotions, hopes and fears. It's amazing how just a few squiggles translates into them. I was entranced by the artistic skill it showed. This screen shot doesn't do it justice.
The second book was at the other end of the scale, but 'my kind of thing.' Or that's what Mhairi thought at any rate - and she was quite right. On the face of it, The Morville House sounds like a prosaic account of how someone with a hankering for history set about recreating the forgotten garden of an old house in Shropshire, but the book is in fact far from prosaic. The author, Katherine Swift creates - or recreates - the imagined, mystical, near-legendary world of the house and its region in earlier times. Everything she does in the garden commemorates previous occupants so strongly that they almost seem to re-appear as the past merges with the present. A few years ago the ghostly novelist Barbara had that same gift of making the literally incredible totally believable. Sinister events from the past intrude into a troubled present. A heroine in one of her books looks out of her 20th Century holiday let in East Anglia and through the mist catches a fleeting glimpse of a Viking longship gliding silently up the river. Time out of joint. Years ago when I was in Moscow in January, staying in one of those dreadful Stalinist wedding cake hotels, the window wide open against the stifling heat of the radiators, I read one of her novels through the night. Even though there was serious business with the Soviet Navy the following day, I just couldn't stop reading and make my return to the grisly reality. In a time of Covid, I suppose there was an element of that here too. It was a retreat into another universe, different but not necessarily comforting. The Morville House was like that too. the whole thing is framed by the use of the medieval Book of the Hours for the passing, continuously changing days and seasons, moving backwards and forwards. As a historian I suppose I am pre-disposed to like something which uncovers the past in the present. Mhairi got it exactly right.
I said that Katherine Swift was a polymath, as one would expect the rare books librarian at Oxford to be, and I learned a lot about a lot too, and that was a bonus. Unexpected things like being told that boulder clay created by the crushing effect of advancing and retreating glaciers in the Ice Age is called 'till' ! When I finished the book I was resolved that once I had shaken myself out of the current absorption in 'boats' I would return to the family history with renewed vigour. Not least because Katherine Swift is particularly good on the 14th Century when 'our' records began. A similar time of plague.
Certainly
there's a need for relief when things seem so dismal at the moment, despite the
appearance of Boris' 5th Cavalry appearing over the hill in the shape of the
vaccine. The weather, the grisly total of a million dead around the world with
more, perhaps many more to come and the possible disaster that is
Brexit-without-a-deal is depressing enough but for me there is also the three
year commemoration of Cherry's death. Peter sent me this clip of an encounter
between Archbishop Welby and the Chief Rabbi Mirvis - part of a BBC series on
grief. https://www.bbc.co.uk/news/av/uk-55220800
Both of them had lost a child and talked about it. The Archbishop said he was constantly caught by surprise by his thoughts. Yes indeed. As far as I am concerned, the Chief Rabbi captured it exactly. 'No two bereavements are the same. If anybody comes along and says,' I know exactly what you're going through, they don't. Because grief is something personal. When one has suffered deep loss it is with one for the rest of one's life. One thinks of the person every single day and there is sadness.' An American friend in a similar situation to me, though now happily re-married thing, said he thought of his first wife every day, 'but now with equanimity.' I don't think I am quite there yet. But nor am I sure I want to be.
Otherwise things are ticking over, for me very nicely so
far. Most other immediate academic commitments are finished for the time being
and so I have been able to get back to the book. Most of the time anyway. Last
week there was one crazy day when I had six Zoom sessions starting early in the
morning and finishing at 2145. Not wall-to-wall fortunately. On and off.
Conferences are like London busses. They either don't appear or they all come
at once. I've had some time to potter about the place and to spot how different
things look with no leaves on the trees. This view of the house is only visible in Winter, for example. Special to time.
And finally of course, there's the garden. I had at last to admit defeat and order some tomatoes from Sainsbury's having more or less run out, except for a plate of little green ones not doing very much on a plate on the window sill. The carrots came in too, chunky but without a trace of pest attack. Very cheering, and so, for all of us, despite everything, is the approaching time of some kind of Christmas